Around the World Blog Hop

I am delighted to be invited by longtime friend Marilyn Webberley, to join the Around the World Blog Hop. Marilyn has been an inspiration in her life and in her beautiful artwork as accomplished oil painter, master calligrapher and set designer. Thank you Marilyn.   http://marilynwebberley.com/blog

                       "Chorus Line" Pastelon paper  7 x 17        From my archives.

These questions are timely for me right now as I step off into a new direction.

1. What am I working on?
A 24" x 24" sits on my easel right now, an enlargement from a 4" x 6" plein air landscape from last summer.
I have been  a longtime figure and still life painter working in pastels, with occasional plain air landscapes.  A door has opened and I have walked through into almost exclusively  landscape for a number of reasons.  I love the feel of oil paint in my brushes, (bigger brushes)  and the marks they make on canvas or paper, as well as the freedom in just exploring space, value and color!  I've been privileged to join a group of beach painters along with a  dynamic teacher for a week each of the last 2 years, attempting to paint what is essential in a constantly changing light, magical light. It is a challenging transition from my deeply ingrained habits , vastly exciting!

As my blog title indicates, I  have for years been a dedicated pen and watercolor sketcher, and now have a group of wonderful like minded friends who meet every week  and sketch life on Whidbey Island.
http://whidbeyislandsketchers.blogspot.com/          
We love to draw,  we enjoy each others company indoors or out, its a treasure in my life.
My husband and I just returned from 26 days exploring and sketching in Italy. I know as I look at these pages in years to come I will be taken right back into those delightful days! I teach sketch classes and am an advocate for  anyone with the slightest interest to find a personal way to add this to life.

                                               

                                    "Last Sun"  Oil on canvas 6 x 8

                         Returning from the beach with a vanload of wet paintings!
                                  Oil on sized 140 lb watercolor paper

2. How does my work differ from others in its genre?
Visual artists share a common language and we each find our own way with it. Where I  find my strongest emotional involvement  is in color and color relationships. Presently I am working very hard to find  what is the necessary concept in each painting, and let go of what is not necessary. This will joyfully  take up the rest of my life.

                                   "Veiled Afternoon"Oil on canvas  12 x 12
                               From a Storm Watch visit to the Washington coast

3. Why do I create what I do?
Painting brings more satisfaction than most anything else I do.

4. How does my creating process work?
I love to start paintings! Its all about possibility as I work to get the canvas covered with the best
decisions possible. Then I get more constrained, what needs correcting? How much correcting? How will that affect everything else? How much can I let the script change in reacting to what I see?
I do spend time in pre planning. I look for not only color but value and shape.  My i pad has become a reference when we can't be outside. I can tweak and play with shapes from the photos and compare options as well as work with fleeting light tho it is never the same.

  Tagged names on their way!

Italy

My husband an I just returned from nearly a month of exploring and sketching  in Italy. It was a magical time, each day filled with discoveries  as we wandered the beautiful countryside and hilltop towns. We both sketch, and it became like a treasure hunt as we collected images and memories in our sketchbooks.
Also...food and wine.

 Our first week was in the home of friends in southern Tuscany with this view from the terrace, looking out over rolling hills and vineyards all the way to the Mediterranean! Memorable sunsets as we sipped local wine.

            Colorful windows and doorways, potted plants and charming little gardens everywhere.

Montemerano and Montalcino

   

 Gregorian chant filled the air during our visit to the Abbey of Sant'Antimo just south of

Montalcino. It is a beautiful Romanesque abbey near the Via Francigena, the ancient 

pilgrim route from Cantebury to Rome.

Waiting for lunch.

Boats! 

Porto Ercole

Marina Grande in Sorrento

180 degrees of Mediterranean blue from the rooftop of the Hotel Regina.

Mt Vesuvius with a cloud hat in the center.

The  view from our  kitchen window in Sorrento looking down at a portion of the old wall 

and the red rooftops. Church bells chimed on the hour.

This iconic grove of cyprus is just off the road near San Querico. They are a symbol of 

the Val D'Orico. As we sipped wine and sketched  a constant flow of cars pulled 

over to photograph.  

The colosseum in Rome.

Sketching in Mexico!

Two weeks of playing, sketching and swimming, near Manzanillo, Mexico. Of course, some eating
and margaritas too. How to sketch such a beautiful light infused place, sometimes it was just drops of color.

                  I often woke up early to see the sun explode over the mountains and Santiago Bay.

                            Surrounded by water and ever changing light. Never the same twice!

Morning view from my bedroom patio. 

Bougainvillea of every color, play with color!

                                        Just above us, the pool and palapa of Casa Maya

 Beach day at El Oasis across the bay.

Studio in Your Pocket

We will be doing another one day on location sketch workshop  on June 21, at the Cole Gallery in Edmonds   http://coleartstudio.com/workshops-artclasses/

Simplify your materials, simplify your subject and go for it!

Destination, Roslyn on the other side of the pass

Tent Sketching

                         Early morning,  Second Beach on the Washington  coast.

   

                                              From our tent at Lyons Ferry in the Palouse

More Winter Sketching

 It is cold outside, but warm and full of people to sketch inside. Coffeeshops are always inviting. It's  a good time to play with new materials and surfaces. I recently got a Schminke 1/2 pan watercolor set, and tried it out on a new Crescent all media book. Its a good surface for ink!  Sketches on the right were with my Lamy pen and a waterbrush in a small pocket sketchbook.

                                                    Tucson coffeeshop.

The Brick, in Roslyn

Commons in Langley

And from a coffeeshop on Guemes Island looking across at Anacortes.

  

Winter color outside our window

Color amid the grays...